Why to Go and See Stomp the Music
The expression stomp initially started with two buskers entertaining the streets of Brighton, UK with audio, their catchy overall performance hooking in bystaders to stop, observe, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the music STOMP debuted in the Orpheum Theatre in February 1994. The musical STOMP can also trace several of its roots to Booth Theatres erected at the Village Fairs within the Middle Ages and Renaissance time period- an old custom in that time. As opposed to any other music, STOMP pushes the idea of what constitutes music. Eight nightly performers play basic and complex rhythms from every day things, for example six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Via dance and audio, the group collaborates with every other to play audio, as well as offering person self-expression. STOMP is really a sensual mix of comedy, percussion, and dynamic movements. The musical STOMP is the unique creation of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ idea. It’s a passionate production, not effortlessly classified into a specific music or theatrical type. Through the absence of melodies, the audience listens to music getting broken down into basics as eight chiseled and dynamic performers pound out rhythms with common objects: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the ordinary high quality of these items catapults STOMP to an artistic level not matched by some other modern theatrical acts. The simplicity in which the cast manipulates their ‘instruments’ and body expands the imagination into a thrilling reality. It’s set design is flashy and colourful at times; a more elaborate metal construction displays instruments that are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to create loud group rhythms that shake the rafters and audience with their intense, tribal rhythms. These in-your-face cadences are a potent avenue for individual and collective expression, leaving numerous on the edge of their seats. STOMP’s lack of fancy performer clothes keeps the emphasis on what truly counts: dance moves and musical rhythms, which become more complex with every subsequent scene. Subtlety is also utilized to balance out these raw rhythms.One scene is centered around performers tapping six foot poles, as they stealthily circuit the stage, nearly preying on each other with their sly moves and rhythms. Their sense of connection is palpable and sensual, cast eye contact stimulating the anticipation, as you almost find yourself questioning who is going to ‘win’ at this musical game. Yet, everybody wins, the audience even asked into the performance via a cast member who initiates a clap-and-response session. Around two hours in duration, STOMP keeps one’s attention, making you wonder how items generally reserved for math difficulties, cleaning, and construction projects can entertain and create a powerful musical group dynamic. In this age of modern technology, STOMP is really a refreshing blend of primal instincts meeting music genious, reminding us of the music and rhythmic potential right under our noses. Find more info about the music and buyStomp Tickets online
